I have done a lot of technologically oriented posts recently because that was my ‘flow’ at that particular moment in my overall work-stream and I haven’t really had time to be objective about what kind of questions need to be answered in general about my motivations and intentions for the Novel. Now, I would like to take a brief look at some of the deepest thoughts and intuitions that are ‘drivers’ for the project.
1) I have chosen a ‘deep’ future context because I want to force myself (and my readers) to review what limitations we currently perceive -- which in fact are merely historical accidents -- versus what are, in contrast, truly Immortal themes of consciousness: human, post-human, or Other. The context of S’n’K is sufficiently ‘advanced’ that almost everything we now consider a problem has long since been consigned to the ignorance of the Ancients (us!) who ‘were’ deeply confused. There is no poverty, no war, no State, no money, no involuntary death, no involuntary pregnancy, no dominance of nature by a single species, no dominance of politics by a single gender, etc. There IS still love, friendship, the search for meaning in a very much larger cosmos, the search for a balance between freedom and responsibility, between tradition and innovation, between transcendence and immanence, etc.
2) I have tried to characterize what might be considered the current socio-political ‘Antimonies’ – the perceived irresolvable differences, and allow the milieu of the Novel to shed light on paths that might have lead into non-dualistic forms of life and understanding which go beyond these self-imposed boundaries. For instance, I observe that one of the main upcoming ‘wars’ of words and policy to animate our world-culture is the tension between innovation and preservation. On the one side of the continuum you have the techno-utopians who think that no problem is unsolvable if we would merely accelerate our development of machines and tools aimed at those problems. At the other end we have the eco-utopians who are watching the environmental destruction of our planet and are seeking to slow, or even reverse, certain kinds of technical development in order to give our biological context a chance to recover its ages-long robustness. Both sides are right, and both sides are wrong. I will be trying to depict what I call an innecotive paradigm, where the innovations of intelligent species are seen, literally, as phenomenon of ‘Nature’, and where reverence for diversity and ‘life’ extends to both biological and ‘androidal’ forms…where the ‘rights’ of our legal system are extended to the whole inneco-system – the union of ecosystems with innovations. A very deep topic…more later!
3) One of my most challenging goals is to depict world that is post-materialistic, yet simultaneously extremely competent at the material goal of real-world sustainability. Here the traditional bifurcation of the world into ‘spiritual’ vs. ‘secular’ camps will have become untenable. Although competence in scientific and mathematical reason far beyond our wildest imaginations will be common knowledge even to children, most people will also have training in meditative reflection and mystical poesis. Additionally, I am taking the view that physics will have reached an accord with some aspects of traditional metaphysics (not all certainly!) and that the underlying interconnectedness of consciousness and the universe will be an excepted fact of ‘common’ wisdom. Additionally, some technological change will reflect this new ‘aesthetic’ and actually amplify its development. For instance, though most people believe that mind is fundamentally non-local and therefore biological telepathy a widespread (though not reliable) possibility, the use of the Lens for direct mind-to-mind messaging has created an accelerated and amplified historical context where the dream of merging identities is a daily, ordinary activity. In this spirit, the elimination of the distinction between wealth and average health has created a condition where the pursuit of purely material goals (and the concomitant material philosophy behind such action) is not really the most practical position. It is a time of dreams and play, where creativity is the main currency.
And yet…to accomplish the above we will need to move through some very profound, and sometimes scary transitions and I hope to show this in two ways:
1) It is critical to realize that the Universe has gotten a LOT more complex by the time of S’n’K. There are enormous populations of new forms of sentient life living in whole new ‘utanes’. Therefore, for every comprehensive social statement I have made above, there is somewhere a new position of dissent, and varieties of same, to a degree unimaginably more divers than the dissent we experience today. There are ‘Sindikats’ based on almost every conceivable philosophical premise possible – and these diversities will be embodied by characters and interactions within the Novel.
2) There are several key characters who are deliberately ‘retro’ in their beliefs, and they speak to our current concerns by representing our current world-culture(s) embedded in the larger culture of the Novel. For instance, the technological ‘level’ of the Tribes, where the character Steward comes from, is essentially a stand-in for our 21st Century position, and as Stew moves forward and struggles with integrating in the wider world he recapitulates our future history (our future’s-past, if you will) in a kind of compressed sequence.
Above all, I want to write a philosophically ambitious work that is still very sensitive to issues of character. This is a value, and not merely a question of technique. I want my readers to fall in love with some very real and compassionate people who confront big, even cosmic, issues -- but in ways that are deeply felt and deeply personal.
